Thursday, May 17, 2012

INDIA= "COLLECTIVE MINDS"?

 HI
Check this link
 http://prezi.com/3z8ascrjnzzm/india-collective-minds/

After reading few articles and books, have to come to conclusion that labeling is the Indian minds in different terms is leading to misconception, causing to miss out the whole picture of india
The question here I am addressing is can we call it as Collective Indian minds?
In search of our identity, I have thought of beginning with name..


Wednesday, May 2, 2012

New Journey of Chinthana- rethinking


Chinthana- rediscovering indian psych will have its new journey, new view... thoughts on india minds through the loop of folk and rural world it would provide new ways of analysis on indian thoughts, emotions, minds, communities, and culture.New
In this new journey of chinthana which is a restart of this blog, there will be thought provoking ideas and thoughts which will be shared. 

Dear friends I might be alone in current situation, hoping as you realize that you need to share you are all always welcome


Wednesday, August 24, 2011


Tuesday, June 14, 2011

The Omkar-AUM culture and mind


Aum - Its Aesthetics, Mysticism, and Philosophy,
Nitin Kumar

The open mouth of A moves toward the closure of M.
Between is U, formed of the openness of A but shaped
by the closing lips. Here it must be recalled that as
interpreted in relation to the three curves, the three
syllables making up AUM are susceptible to the same
metaphorical decipherment. The dream state
(symbolized by U), lies between the waking state (A)
and the state of deep sleep (M). Indeed a dream is but
the compound of the consciousness of waking life
shaped by the unconsciousness of sleep.
AUM thus also encompasses within itself the complete
alphabet, since its utterance proceeds from the back
the lips; both embraced in the simple act of uttering of
AUM.
The last part of the sound AUM (the M) known as ma or
makar, when pronounced makes the lips close. This is
like locking the door to the outside world and instead
reaching deep inside our own selves, in search for the
Ultimate truth.
But over and above the threefold nature of OM as a
sacred sound is the invisible fourth dimension which
cannot be distinguished by our sense organs restricted
as they are to material observations. This fourth state is
the unutterable, soundless silence that follows the
uttering of OM. A quieting down of all the differentiated
manifestations, i.e. a peaceful-blissful and non-dual
state. Indeed this is the state symbolized by the dot in
the traditional iconography of AUM.
The threefold symbolism of OM is comprehensible to the
most 'ordinary' of us humans, realizable both on the
intuitive and objective level. This is responsible for its
widespread popularity and acceptance. That this symbolism
extends over the entire spectrum of the manifested
universe makes it a veritable fount of spirituality. Some of
these symbolic equivalents are:
Colors: Red, White, and Black.
Seasons: Spring, Summer, and Winter.
Periods: Morning, Midday, and Evening.
States: Waking-consciousness (jagriti), Dream
(svapna), and deep-sleep (sushupti).
Spheres: Earthly, Heavenly, and Intermediary.
Poetic Meters: Gayatri (24 syllables), Trishtubh
(44 syllables), and Jagati (48 syllables).
Veda: Rigveda (knowledge of the meters),
Yajurveda (knowledge of contents), Samaveda
(knowledge of extension).
Elemental Deity: Fire (Agni), Sun (Aditya), Wind
(Vayu).
Manifestation of Speech: Voice (vak), Mind
(manas), Breath (prana).
Priestly Function: Making offering, Performing
ritual, and Singing.
Tendencies: Revolving, Cohesive, and
Disintegrating.
Quality: Energy (rajas), Purity (sattva), and
Ignorance (tamas).
Ritual fire: Of the home, of the Ancestors, and of
Invocation.
Goddess: Amba, Ambika, and Ambalika.
Gods: Of the elements (Vasus), of the sky
(Adityas), of the sphere-of-space (Rudras).
Deity: Brahma, Vishnu, Shiva.
Action: Creation, Preservation, and Destruction.
Power: of Action (kriya), of Knowledge (jnana),
and of Will (iccha).
Man: Body, Soul, and Spirit.
Time: Past, Present, and Future.
Stages of Existence: Birth, Life, and Death.
Phases of the Moon: Waxing, Full, and Waning.
Godhead: Father, Mother, and Son.
Alchemy: Sulphur, Quicksilver, and Salt.
Buddhism: the Buddha, Dharma, and Sangha
(three jewels of Buddhism).
Qabalism: Male, Female, and the Uniting
intelligence.
Japanese Thought: Mirror, Sword, and Jewel.
Divine Attributes: Truth, Courage, and
Compassion.
According to Indian spiritual sciences, God first created
sound, and from these sound frequencies came the
phenomenal world. Our total existence is constituted of
these primal sounds, which give rise to mantras when
Nitin Kumar
of the mouth (A), travelling
in between (U), and finally
reaching the lips (M). Now
all alphabets can be
classified under various
heads depending upon the
area of the mouth from
which they are uttered. The
two ends between which the
complete alphabet oscillates
are the back of the mouth to
Ybrant Prana Page 5 “Practice Diligently, Purify Yourself, Spread the Teachings”
Volume 4 Issue 06
Editors and Contributors:
Manu Tayal
Ramakrishnan Nagasamy
Sreenivas Murthy
To contribute to this newsletter or
to send feedback -
Contact:
rnagasamy@gmail.com
tayalmanu@gmail.com
Upcoming Events:
~ Advanced Pranic Healing & Pranic Psychotherapy at
Foundation, Ameerpet
Please check with Foundation for more details at +91-40-66625278
or yvphf@appranichealing.org
organized by a desire to communicate, manifest, invoke
or materialize. Matter itself is said to have proceeded
from sound and OM is said to be the most sacred of all
sounds. It is the syllable which preceded the universe
and from which the gods were created. It is the "root"
syllable (mula mantra), the cosmic vibration that holds
together the atoms of the world and heavens. Indeed
the Upanishads say that AUM is god in the form of
sound. Thus OM is the first part of the most important
mantras in both Buddhism and Hinduism, e.g. Om
Namoh Shivai and Om Mani Padme Hum.
In a further development of the mystic conception of
AUM, the Mandukya Upanishad states:
AUM is a bow,
The arrow is the self,
And Brahman (Absolute reality) is said to be the Mark.
Another ancient text equates AUM with an arrow, laid
upon the bow of the human body (the breath), which
after penetrating the darkness of ignorance finds its
mark, namely the lighted domain of True Knowledge.
Just as a spider climbs up its thread and gains freedom,
so the yogis climb towards liberation by the syllable OM.
The omnific and omniparous quality of OM makes it
omnipresential, and in-omissible from any spiritual
practice. As an omnipotent symbol, the yogi who
penetrates its mystery is indeed truly omnicompetent
and omnipercipient, and as an omniscient source, it is a
virtual omnibus of sacred and mystical inspirations.

Page 4 1.2 Million Arhatic Yogis in India Here and Now! So be it! So be it! So it is!
Ybrant Prana
Volume 4 Issue 06
(reference)

Kiran Kumar C T L

Monday, May 9, 2011

Request to stayin touch through this blog

Sir/Madam
its been very very long we come on blogs, i think its time now for us to open ourselve and learn from sharing,i want you all to be in touch atleast through this blog, plz keep updating watever you want, this is my humble request not to giveup your interest towards understanding indian minds and our objective we framed intially, so i request everyone to be stay in touch through this blog,
i will give you the username-mpcl0911 and password is 1MPCL20092011,
hoping for best
regards
Kiran Kumar c T L
Laugh well eat wel and sleep well

Monday, November 8, 2010






Description:
ceremony or ritual conducted in remembers of the people who have dead.
in pic, there is one idol of Bootha, sticks symbolizing gods mahadeshwara and siddapaji (regional gods), each symbol of gods are brought by four different people, called as Dasaya, Jogayya, Madappa and siddapaji. this four people are worshipers of those regional gods mentioned above. The ritual is also done in other forms given different names, in the same regional area. different caste people call it in different names.

The belief is that if present generation serves or worship or respects through conducting poojas, there generation would be safe from practices of black magics n problem from there ancestors.
there is lots of symbolic representation of gods, four people identified as regioanl gods, there visit would be blessings to the family

Thursday, July 29, 2010

KNOW OUR SCRIPTURES

VEDAS:
1. Rig Veda: 432,000 samhitas; 28 brahmanas; 42 upanishads; total of 707,000 stanzas

2. Yajur Veda: 250,000 samhitas; 32 brahmanas; 60 Upanishads; total of 455,000 stanzas

3. Sama Veda: 600,000 Samhitas; 21 Brahmanas; 90 Upanishads; total of 950,000 stanzas

4. Atharva Veda: 300,000 Samhitas; 11 Brahmanas; 52 Upanishads; total of 480,000 stanzas



UPA- VEDAS:

1. Ayurveda: Chakranuvesha by Sanaka; original works attributed to Dhanvantari, extant works by Charaka, Sushruta and Vegabhatta(also a bacteriologist); the science of longevity.

2. Dhanurveda: Parveshasta-prakasham by Prachetas; original works attributed to Bhrigu and Vishvamitra; the science of warfare.

3. Gandharva Veda: Svarabuvada by Narada; the science of music.

4. Sthapatya Veda: Siddhantopanyastha by Ashvini Kumaras; the science of architecture.


DARSHANAS: SCHOOLS OF PHILOSOPHY:
1. Nyaya: svayambhu’s Prabhantariksha, Sage Gautama’s Nyaya sutras, Tarka-sangraha, Bhasha-parichheda, Siddhanta-muktavali; Kusumanjali by Udayanacharya is an important work on this subject.

2. Vaisheshika: Kratu’s Darshananubhava; subsequent work by Kannada Rishi.

3. Sankhya: Original work is Marichas’s Anubhava; subsequent authoritative work by Sage Kapila.

4. Yoga: Original treatise by Chyamana called Vrithyajitharnava; subsequent works by sage Patanjali, with elaborate commentaries by Bhoja Deva, Vaachaspathi Mishra, Vijnaana Bhikshu and Naagoji Bhatta.

5. Mimamsa: Original work Arthaprakasha of Rishi Angiras; subsequent work by Sage Jaimini; also called Purva Mimamsa or Karma Mimamsa.

6. Vedanta: Also called Uttara Mimamsa; original work is said to be Lord Bramha’s Prahiksha-pradipa; subsequent work is Brahma Sutras by Veda Vyasa.




SHABDA SHASTRAS:
1. Shiksha: phonetics: Maheshvara’s shiksha and Narada Bhashya are also called pratisakhyas and total 172,00 stanzas. This subject is also dealt with in a chapter in Taittiriya Aranyaka and a book called Manduki Shiksha.

2. Kalpa: Design and Construction of Religious Sites: Devi’s Vyavasthanubhava is the original treatise of 248,000 stanzas. Subsequently, several works on this subject came out of each of the four Vedas. Examples include:

a. From Rig Veda: Ashvalaayana, Shankhaayana, Shaunaka.

b. From Saama Veda: Masaka, Latyaayana, Drahyaayana.

c. From Yajur Veda: Aapastamba, Satyaashadha, Hiranyakeshi, Manava, Bharadvaja, Vathula, Vyaakhanaasha, Maitra, Kathaa, Varaaha,etc.(from Krishna Yajur Veda), Katyaayana(from Shukla Yajur Veda).

d. From Atharva Veda: Kaushitaka.

3. Vyaakarana: Grammar: First came the Maheshvara Sutras and Narada Bhashya, totaling 100,000 stanzas. Thereafter came the Panini Sutra (Ashtadhyaayi, the world-renowned grammatical work that remains unparalleled to date and is accepted as such by Western scholars also) and patanjali’s Mahaabhaashya, both of which are important and authoritative treaties.

There were other notable grammarians before Paanini, namely, Apishali, Kashyapa, Gaargya, Galava, Chakravarman, Bharasvaaja, Shakataayana, Sakaalya, Senaka and Sphotaayana. Kaatyayana was an outstanding grammarian after Paanini.

4. Nirukta: Vedic Etymology: Ganesha’s Niruta and Shesha’s Bhaashya COMPRISE 55,000 stanzas. Subsequent work was done by Yaaskacharya. A well known work is Amara Kosha, also known as Naama-linga-anushaasanam, written by the worlds first lexicographer, Amarasimha, a great scholar who flourished in the court of King Vikramaaditya and who was a contemporary of the great poet Kaalidaasa.

5. Chhandas: Prosody (Meter): Vishnu’s Chhandornava is comprised of 172,000 stanzas. The subsequent work of Chhanda Shaastra came from Pingala. Many other works came later, including Nidaana Sutra, Shruta-bodha, Vaanibhushana, Vritta-darpana, Vritta-ratnaakara, Vritta-kaumudi, Chhandomanjari, and Savritha-tilaka. Chhandomanjari by Gangadaasa is an important work on this subject.

The number of meters possible in Sanskrit poetry is an astronomical figure. The word for meter in Sanskrit is Vritta. There are three types of vrittas: Saama Vritta, Vishama Vritta, and Ardha-saama Vritta. The categorization depends on whether the composition of each line in a four-line stanza is the same or different. For example, in saama Vrittas, the maximum nuber of letters in a line is 26. With 1-26 hard-sound (guru) and soft-sound (laghu) letters in each line, the maximum number of meter-permutation under Saama Vritta is 87,108,864.

6. Jyotisha: astronomy and Astrology: Surya’s Brihadanka-pradipa has 100,000 stanzas. The subsequent important works are Aaryabhatta, and Surya Siddhaanta by Bhaskaracharya. There are also treaties on the subject by Varaaha Mihira, Gaarga and Brahmagupta.


ARTS AND SCIENCE:
1. Akshara Laksha: Attributed to Sage Vaalmiki; deals with the branches of mathematics: arithmetic, algebra, geometry, trigonometry, physics and applied mathematics; consists of 50 chapters; acknowledges the earlier discoveries of Hanuman, Jaimini, Brihaspathi, Kashyapa; also deals with geography, air/wind, electricity, mineralogy and more.

2. Artha Shastra: Short treatise attributed to Sage Vyaasa, wherein he deals with more than 80 ways of earning wealth through Dhaarmik means; extant work attributed to kautilya.

3. Chitra karma: believed to have been authored by bhima; deals with the science of fine arts; 12 chapters with more than 200 sketches; explains a novel method by which an artist can create the complete figure of a person after having seen only a portion of his body.

4. Dhaatu vaada: Believed to have been written by ashwini kumaras; deals with the science alchemy and the conversion of baser metal into gold; a treatise on dhaatus, or primary substances, and their reactions and combinations.

5. Gaja Shastra: attributed to Kumaaraswami; deals with the behavior and characteristics of elephants; gives methodology to categorize elephants on the basis of certain body marks.

6. Kaala Nirnaya: attributed to lord Kaartikeya; deals with the concept of the time, auspicious and inauspicious occasions, limitations of time and its measurements, and the presiding deities of various dates, constellations, etc.

7. Lakshana Shastra: attributed to sage shakataayana; deals with the determination of gender in both animate and inanimate creation; Babhru Muni’s work Kanyaa Lakshana lists characteristics of an unwed girl that can be used to reveal her future, family life, children, prosperity, chastity, etc.

8. Shakuna Shastra: sage Garga’s detailed tretise on omens or indications of success and failure in endeavors.

9. Malini Shastra: attributed to sage Rishyashringa; a comprehensive treatise dealing with flowers and their arrangements, including making garlands and bouquets, how women can adorn themselves with flowers, conveying messages of love through flowers, etc.

10. Malla Shastra: attributed to Malla Muni; deals with health-preservation and bodybuilding; the science of gymnastics, athletics, wrestling, etc.

11. Mahendra jaala: attributed to Virabhaahu; deals with the science of magic; describes the art of creating illusions (flying, walking on water, etc.).

12. Parakaaya Pravesha: attributed to Valakhilyas; deals with the eight siddhis:- anima, mahima, laghima, garima, ishitva, vashitva, prapti and prakaashaya; the 32 yogas leading to parakaaya pravesha, or the transfer of ones jeeva, at will, to another body (as was done by Aadhi Shankara into the body of King Amaruka).

13. Ratna Pariksha and Kanaka pariksha: attributed to Sage Vatsyana; deals with the science of testing precious stones and gold for genuineness, including the 24 lakshanaas (signs) of the precious stones and gems, their categories and the 32 tests of their quality and genuineness.

14. Saamudrika Shastra: attributed to Samudra Raaja, or lord Varuna; deals with the various body marks that are said to indicate a person’s character, life, and experiences; said to have started with Varunas reading of the auspicious marks on Lord Vishnus reclining body; further developed through the later contributions of Narada, Varaha, Mandavya, etc. one of its branches is palmistry.

15. Saudamini Shastra: attributed to sage Maatanga of Mount Rishyamukha; deals with chaya-grahana, or the power and use of shadows; also deals with the science of photography and derivations.

16. Shabdha Shastra: attributed to Rishi Kandika; deals with sounds and echoes, their categories and modifications and the mechanical reproduction of sound (pitch, frequency, velocity, etc.).

17. Shakti Tantra Shatra: attributed to Sage Agastya; consists of eight detailed chapters that deals with the various energies and powers in the universe, including the 64 kinds of energy in Nature; the sun, moon, and their shaktis; the practical applicatopns to harness such forces; the unlimited energy contained in the atom; an atom’s fusion and fission; and nuclear science.

18. Shilpa Shastra: attributed to Sage Kashyapa; deals with sculpture, construction of idols, temples, palaces, etc. 22 chapters with 307 categories of sculptures and over 100 types of images and idols, including their dimensions, proportions, and other characteristics; Vishvakarma is said to have contributed much to the development of this science.

19. Supa Shastra: attributed to Sukesha; deals with the science of cooking, which Sukesha is said to have perfected to a science; contains various preparations of condiments, pickles, sweets, puddings, cakes; different dishes to suit the tastes of people in different parts of the world. Supa means “broth” (thus the word soup).

20. Turanga Shastra: comprehensive treatise on horses by Agnivarman; expounds on everything about horses, including breeding, upbringing, pedigree, points for selection, and various uses including war. King Nala is also said to have written a treatise called Ashva Hridaya on this subject.

21. Vaatavarana Shastra: attributed to Sage Atri. Deals with clouds, their categories and characteristics. 12 different kinds of Rain; 64 types of Lightning, 33 types of thunderbolts, etc.

22. Visha Shastra: attributed to the Ashwini Kumaras. Exhaustive treatise on the science of poisons. Elaborated discussions about the 32 broad categories of all poisons, including their properties, preparations, applications and antidotes.

23. Yantra Shastra: attributed to Sage Bharadhvaja; deals with the types of vehicles for movement on land, water and air; also deals with the possibility and methodology of movement in space without any vehicle, using only mantras (mystic sound symbols) and tantras (energy forces).